U2 - Philadelphia 12-06-2001 Matrix
First Union Center
Philadelphia (Pennsylvania), USA.
12 - June - 2001.
Attendance: 19.268 (sellout) - Support: PJ Harvey
Disc 1 (67:42)
01. Intro (PA)
02. Sgt. Pepper's Lonely Hearts Club Band (PA)
03. Elevation Influx Intro (PA) / Elevation
04. Beautiful Day
05. Until the End of the World
06. New Year's Day
07. Kite
08. New York
09. I Will Follow
10. Sunday Bloody Sunday
11. Stuck in a Moment
12. In a Little While
13. The Ground Beneath Her Feet
14. Desire
Disc 2 (56:49)
01. All I Want is You
02. Where the Streets Have No Name
03. Mysterious Ways
04. The Fly
05. - NRA Message -
06. Bullet the Blue Sky
07. With or Without You
08. - encore break -
09. One
10. Walk On
Recording Equipment - History
Matrix of audience source + Dual Scan (Bono & Edge IEMs)
Transfer & Editing: S.Z.
Additional notes (by S.Z.):
IEM Taper: Coles Dad
Audience: cant Remember
IEM: DAT Clone at 32khz from master > CEPRO > MATRIX
AUD: Aud CD clone > EAC > CEPRO > MATRIX
Mixed in Cool Edit Pro in 2002
Lineage: MATRIX CD MASTER > EAC > FLAC
This matrix I feel leans a bit more toward the "scanny" side of things, which some of you seem to enjoy. I remember I mixed this one and the night before kind of in opposite ways as I purposely tried not to make all these things sound the same. If i put it on a scale of 1-10 where 1 was almost all audience and 10 was almost all scan, this would be about a 7.5 or so. That being said, it sounds nice, just might want to dial in a little bass and there you go. A little more clarfification for the noobs: a dual scan is when you have two rigs, and we recieved the FM broadcast of Bono and Edge separately so they could be mixed down later. This way you don't get Edge blasting you on his vocals, or just bono rocketing through, we could cross mix them to get them quite balanced. As many know, on Elevation Tour Adam rarely used IEMs, so his channel went in and out if it was on at all so we stopped messing with it as it was a waste. Even when it was on the drums were too loud relatively in the mix compared to the bass so if you had the bass right, the drums were too loud, or if the drums were right, the bass just wasn't that loud. We normally just went with a dual Bono and Edge and tried to roll the bass in from the audience the best we could.
Comments
Superb matrix recording by S.Z. Sound quality is fantastic with a solid and powerful output, and music and vocals well upfront.